![]() There is big money in mega-expensive cables, heck even moderately priced ones so they’d be stupid to ignore that potential revenue stream. ![]() There indeed is no measurable difference in any of these cables and there is a reason that most reputable amplifier manufacturers never provide high-end cables (other than sufficiently large gauge to conduct 15-30A for most home audio) until VERY recently – and that reason is money. There is no way to ensure that you kept variables the same for each cable. This is meaningless unless done in person as part of a double blind test. A few friends remarked “Are you even going to get 100 views on that? Seems a bit pointless.” Well, that video now has over 30,000 views. My expectations were low, but I thought it’d be a fun experiment. It was done hand-held, on a cheap Sony A6500 camera with its internal microphone. That A/B video…Ī few months back, I posted a quick video comparison with the KEF LSX and KEF LS50W. However, after tweaking and playing with some recordings myself, I realize there’s some value in sharing these comparisons. Especially when it comes down to purchasing decisions. It’s impossible to fully assess a piece of equipment from a YouTube recording (“fully” being the keyword). Including microphone quality, recording device, compression after delivery, and the differences in the end-user listening environment. Most audio reviewers find it pointless to record what they hear – and for good reason. The following is just a discussion on a comparative video. If you’re interested in the power cables shootout: 27 Best Audiophile Power Cables.
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